Lindsey Adler: Baseball Reaches Its Breaking Point
Annie Joy Williams: The End of Hooters
Valerie Stivers: The Creepiness of Amanda Knox
Nora Kenney: The Movie That Missed Peak Woke
John G. Grove: The Rules and the Game
Alessandra Bocchi: Why AI Will Not Replace Creativity
Hilarius Bookbinder: The Average College Student Is Illiterate
Elisa Albert: Confessions of a Once-Bearded Lady
Daniel Oppenheimer: Moving On From Anti-Woke?
Grace Byron: Feminist Polemic Now!
Colin Dickey: W.G. Sebald and the Politics of Melancholy
T.M. Brown: The Life and Death of Conspiracy Cinema
Michelle Stacey: Loos Woman
Eileen Jones: Don’t Blame Rachel Zegler for 'Snow White'
Micah Mattix: A Descent Into Poe's Maelstrom
Pedro Gonzalez: Waiting for the Golden Age
Daniel McCarthy: The Fall and Rise of Communism
Clare Morell: Passing the Point of Resistance
Michael Knapp: Unparalleled Processing
Charlotte Klein: The Newspaper Flourishing Without a Paywall
Chris Murphy: Rachel Zegler Has Turned Into a Scapegoat—and an Icon
Mark Hemingway: America’s Librarians Became Militantly Political
A.O. Scott: It’s Gatsby’s World, We Just Live in It
Jim Kelly: My Adventures in Journalism
February 20, 2025There’s no brutalist architecture in The Brutalist. This terrifically named film—directed by former child actor turned would-be auteur Brady Corbet; cowritten...
