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Monday, February 9

Set this view as default? Yes No
Set this view as default? Yes No

Why Scientists, Scholars, and Experts Are Not—and Cannot Be—Neutral Authorities

An Excerpt from 'Pandemic of Lunacy: How to Think Clearly When Everyone Around You Seems Crazy'

Bad Bunny’s All-American Super Bowl Halftime Show

You could think of the set as a tribute to the power and capaciousness of American popular music—or as a pointed critique of it.

Available this week: "Writer's Diary" by Matthew Gasda
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Essential Reading

One of the greatest weeks of my life was the week David McCullough came to teach a one-credit course at Hillsdale College in 2006.
At the heart of the Western intellectual tradition is the claim that the liberal arts aim to make a man free.

More From Real Clear

RealClearBooks Friday

The Fallout From This Super Bowl Could Change Everything

The mere idea of Sam Darnold or Drake Maye hoisting the Lombardi Trophy seems to have shaken the league to its core 

Sundance Is a Feast of World Cinema

This year’s edition of the prime showcase for American independent filmmaking offered two instant classics, “Filipiñana” and “zi,” made in Asia.

Why Scientists, Scholars, and Experts Are Not—and Cannot Be—Neutral Authorities

An Excerpt from 'Pandemic of Lunacy: How to Think Clearly When Everyone Around You Seems Crazy'

Bad Bunny’s All-American Super Bowl Halftime Show

You could think of the set as a tribute to the power and capaciousness of American popular music—or as a pointed critique of it.

Essential Reading

One of the greatest weeks of my life was the week David McCullough came to teach a one-credit course at Hillsdale College in 2006.
At the heart of the Western intellectual tradition is the claim that the liberal arts aim to make a man free.

More From Real Clear

RealClearBooks Friday

The Fallout From This Super Bowl Could Change Everything

The mere idea of Sam Darnold or Drake Maye hoisting the Lombardi Trophy seems to have shaken the league to its core 

Sundance Is a Feast of World Cinema

This year’s edition of the prime showcase for American independent filmmaking offered two instant classics, “Filipiñana” and “zi,” made in Asia.

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