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Thursday, February 19

Set this view as default? Yes No
Set this view as default? Yes No

The Cracks in Adam Silver’s NBA Are Spreading Fast

The NBA keeps selling the future, but the present is a mess

Silicon Valley’s Favorite Doomsaying Philosopher

Nick Land believes that digital superintelligence is going to kill us all. In San Francisco, his followers ask: What if, instead of trying to stop an A.I. takeover, you work to bring it on as fast as possible?

Podcast: Who We Are by City Journal
Available this week: "Writer's Diary" by Matthew Gasda
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Essential Reading

Americans of all backgrounds overwhelmingly support a core set of legal and constitutional obligations.
One of the greatest weeks of my life was the week David McCullough came to teach a one-credit course at Hillsdale College in 2006.

More From Real Clear

RealClearBooks Wednesday

Emerald Fennell’s Pursuit of Provocation

‘Wuthering Heights’ promised to revel in bad taste, but was ultimately afraid to get its hands dirty—a recurring theme in the British director’s filmography

Peter Strausfeld, the Movie-Poster Master

An exhibition in New York celebrates the work Strausfeld made for a cinema in London over the course of more than thirty years—designs of graphic confidence that were clean, strong, and scornful of embellishment.

The Cracks in Adam Silver’s NBA Are Spreading Fast

The NBA keeps selling the future, but the present is a mess

Silicon Valley’s Favorite Doomsaying Philosopher

Nick Land believes that digital superintelligence is going to kill us all. In San Francisco, his followers ask: What if, instead of trying to stop an A.I. takeover, you work to bring it on as fast as possible?

Essential Reading

Americans of all backgrounds overwhelmingly support a core set of legal and constitutional obligations.
One of the greatest weeks of my life was the week David McCullough came to teach a one-credit course at Hillsdale College in 2006.

More From Real Clear

RealClearBooks Wednesday

Emerald Fennell’s Pursuit of Provocation

‘Wuthering Heights’ promised to revel in bad taste, but was ultimately afraid to get its hands dirty—a recurring theme in the British director’s filmography

Peter Strausfeld, the Movie-Poster Master

An exhibition in New York celebrates the work Strausfeld made for a cinema in London over the course of more than thirty years—designs of graphic confidence that were clean, strong, and scornful of embellishment.

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