Kerry Soropoulos: Tech Founders Bet on New York
Trudy Haywood Saunders: Randy Travis’s Triumphant Comeback
Mary Townsend: The Jester's Power
Kara Kennedy: The Strategic Ascent of Kai Trump
Morgan Leigh Davies: Julie Keeps Quiet
Ross Barkan: The Social Stock Market
Seth Mandel: The Anti-Semites in the Conservative Manosphere
Daniella Nichinson: A World Beyond Words
Cathy Young: The Blogger Who Hates America
Nic Rowan: Fight for Old D.C.
Ella Creamer: Do We Really Need More Male Novelists?
Larissa Phillips: A Fifth of American Adults Can’t Read
Ezra Marcus: The Real School of Rock
Mary Harrington: The Female Gaze
Kristin de Montfort: The Word Is Not Enough
Nick Schager: Natasha Lyonne Is More Entertaining Than Ever
Zoe Dubno: The Fiction of Shulamith Firestone
Gage Klipper: ‘American Psycho’ Still Fails to Feminize
Graham Maassen: Appetite Studies: Self-Devourer
Molly Young: My Miserable Week in the ‘Happiest Country on Earth’
Brian Smith: Dissident Blessings in the Negative World
Jelani Cobb: Ryan Coogler’s Road to “Sinners”
Alan Siegel: King of Fools: The Oral History of Danny McBride
Adam Kosan: The Last Colossus
September 8, 2023In 1989, with a budget of a quarter-million dollars, Whit Stillman couldn’t afford to make a true period piece, which is why Metropolitan is vaguely set “not so long...
