Frazier Tharpe: 'The Rehearsal' Is the TV Event of the Decade
Jia Tolentino: My Brain Finally Broke
Jonah Howell: On Matthew Gasda's 'Sleepers'
Madeline Fry Schultz: How Do You Heal From Porn?
Ross Barkan: The Future of the American Novel
Valerie Stivers: Rage Against the Mom Machine
William A. Finnegan: Enshittification
Naomi Kanakia: The Trauma Plot Has Lost Faith in Itself
Bathsheba Demuth: The Teeming Earth
Nicholas Russell: The Popular Alternative
William Cohan: Rumble in Hyannis: The Kennedy Feud Gets Serious
Barbara Broccoli: Ireland’s Literary Femme Fatale
Aaron Lake Smith: Review: “The Sleepers” by Matthew Gasda
Hannah Katznelson: Methodical Banality
Kazuo Ishiguro: Kazuo Ishiguro Reflects on Never Let Me Go, 20 Years Later
William E. Cain: Close Reading Shakespeare: Othello Speaks
Thane Rosenbaum: The Age of American Nihilism
Maggie Miller: The South's Public-Education Revival
Kerry Soropoulos: Tech Founders Bet on New York
Trudy Haywood Saunders: Randy Travis’s Triumphant Comeback
Mary Townsend: The Jester's Power
Kara Kennedy: The Strategic Ascent of Kai Trump
Morgan Leigh Davies: Julie Keeps Quiet
Ross Barkan: The Social Stock Market
August 20, 2020George Orwell's anti-tyranny fable Animal Farm turns 75 this week. We examine what Orwell was thinking when he wrote it, why it's lasted so long and what we can learn from it today.
