Alexander Manshel: How “The Great Gatsby” Took Over High School
Lex Pryor: Sinners’ Is a Sun-Drenched Reclamation
August Lamm: The Reissue at Hand: Can Genius Be Forgotten?
Mark Granza: The Anti-Meme
Lincoln Michel: The Strange Shadow of Kafka's Parables and Paradoxes
Suzy Weiss: Melania Trump Never Asked for This
Francis Northwood: Project Ludicrous
Sam Gee: The Way to a Poem
Dominic Green: Religion and Empire, Inseparable
Chris Jesu Lee: The Devils Wore Prada
Naomi Kanakia: Hawthorne or the Transcendentalists?
Aaron M. Renn: Why We Don’t Need One Billion Americans
Soham Gadre: 'Between the Lines' Is a Prescient Homage to Print Media
Michael Prodger: The Second Birth of JMW Turner
David Swindle: Antisemitism: The Modern Forces Fueling an Ancient Scourge
Sam Huber: Andrea Long Chu's Problem with Authority
Kelefa Sanneh: The Rise of Megan Moroney, Emo Cowgirl
Sheil Kapadia: NFL Draft Under Review
Nic Rowan: One Half-Tipsy Yank with a Typewriter
Ben Smith: The Group Chats That Changed America
Noah Kumin: A Russian Novel Saved My Mind
Ross Barkan: The End of Bohemia
Kevin Schmiesing: Did the Enlightenment Really Happen?
Lauren Larson: Texas’s Hottest Art Gallery Is the Buc-ee’s Bathroom
February 8, 2017This slim volume suffers from only one pervasive defect, repetitiveness: it could have been slimmer without losing any of its analytical power or coverage. Extenuating this minor...
