James B. Meigs: What Were We Thinking?
Michael Pina: How the Thunder Became More Than Just Noise
Adam Morgan: We Don’t Have Any Reserves
Christopher J. Scalia: Conservatives—& Everyone Else—Should Read Novels
Jeff Weiss: The Night Britney Premiered “Toxic” In Vegas
Lovia Gyarkye: Performance Art
Jonny Thakkar: United We Fall
Jack Rockwell: Form and Problem-Solving
Stephen Pimentel: City on the Edge
Christopher Gage: How To Age Disgracefully
Emile Doak: The American Pope
Constance Grady: Why Are We Mad at the Football Coach’s Girlfriend?
Magdalene Taylor: What Is the Sexual Wellness Industry Trying to Tell Us?
James Varney: Wasting Away in Wind-and-Solarville
Bilge Ebiri: Wes Anderson on the Darkness at the Heart of His Films
Michael Mohr: Vanishing Male Writers: What The Data Shows
Robbie Millen: The Pathological Ironist
Ted Gioia: The Anti-Tech Canon: 30 Books
Tom Sarrouf: What Makes a Pope a Man?
Raymond Ang: Is Ocean Vuong America's Last Celebrity Author?
Diante Lee: The NFL Wants You to Watch the Kansas City Chiefs
John Maier: Male Authors Don’t Need Your Pity
Jordan Castro: The Age of Self
Marco Roth: The Lisbon illusion
November 15, 2019Julian Barnes’s new book immerses us in Belle Epoque Paris through the life of Samuel Pozzi, the sitter in John Singer Sargent’s famous portrait Dr Pozzi at Home....
