Helen Shaw: Sarah Snook’s Wilde Adventure
Anna Peele: How Bill Burr Became a Voice of the People
GD Dess: The Sexual Conservatism of Sally Rooney
Katherine Dee: Clout Alchemy
Sam Buntz: Navigating the Battlefield of Modern Romance
Jon Repetti: On Danzy Senza's 'Colored Television'
Maya Sulkin: A Night Out With the MAGA Kids
Will Pavia: Harper Lee, Lost and Found
Robert Hutton: 'Black Bag' Is Refreshingly Good
Maureen Dowd: The Not-So-Discreet Charm of Graydon Carter
Meg Bernhard: The Prom of the Colorado River
Jonathan Clarke: Gay Talese’s City
James B. Meigs: Bluesky: The Online Cone of Silence
Win McCormack: Up and Down With Bob
Emma Alpern: Can AI Write Books?
Mark Judge: The Contemplative Jazz of Colin Vallon
Rachel Syme: Lady Gaga’s Return to Form
Matthew Roberson: The Best Sports Movie of the Decade
Poppy Sowerby: The Three Tribes of MAGA Men
Paul Franz: On Terry Gilliam's 12 Monkeys and AI's Doom-Loop
Meaghan Garvey: High, Low and in Between, Same as You
Ethan Dodd: How Tesla Became the New MAGA Hat
George Monaghan: The Rise of Gracie Abrams
Alan Siegel: The Greatest Outburst in Sports History
March 8, 2024Martin Scorsese’s Killers of the Flower Moon opens with a holy man’s prayer before a burial. Curiously, this rite doesn’t feature a human body. It’s a pipe....
