D. Graham Burnett: Will the Humanities Survive Artificial Intelligence?
Manuela Lazic: 21st-Century Cinema in Review: ‘Collateral’
Benjamin Braddock: The Lonely Way Back Home
Samuel Goldman: The Meaning of Ralph Lauren Nationalism
Kat Rosenfield: America’s Baby Boom Is Doomed
Miles Doyle: The Sporting Life
Arielle Isack: Heteropessimism of the Intellect
Gerry Canavan: Tolkien Against the Grain
Charles F. McElwee: Story of His Life
Brianna Di Monda: The Damned Mob of Scribbling Women
Nicholas Clairmont: May My Daughter Know Boredom
Greg Fournier: The Brave New World of Book Publishing
Mark Seal: The Last Renaissance Man
Rob Koons: The Quantum Revolution and the Human Spirit
Auguste Meyrat: How Wokeness Killed Sitcoms
Sam Sacks: Fiction: ‘Major Arcana’ by John Pistelli
The Ivy Exile: Public Health's Sacrificial Lambs
Pedro L. Gonzalez: Weird Tales for Strange Times
Liza Libes: In Defense of the College Essay
Jacob Bielecki: The Life and Times of Hack Wilson
Michael Lind: Why Are Free Traders So Emotional About Trade?
Cockburn: How Do We Stop the Media From Talking About Itself?
Alex Berenson: Definitive History on the COVID School Closings Disaster
Michael Pina: The Genius of Jokic
August 23, 2022The music of Henry Mancini—sprawling across a forty-year filmography, written in a profusion of modes and moods—can be easy to misapprehend as the pinnacle of style over...
