Richard Brody: Wes Anderson’s Most Emotional Film
Matt Feeney: Tom Cruise’s Scientologist Soul
Dave Barry: Mission: Highly Improbable
Drew Holden: The Media’s Original Sin
Ross Barkan: Trump’s Attack on Harvard Marks New Phase in Culture War
Anna Juul: LinkedIn Is So Embarrassing
Robert Barry: Erik Satie, the People’s Composer
Drew Calvert: Missed Connection
Dana Stevens: Wes Anderson’s New Movie May Be His Worst Yet
Steven Phillips-Horst: White Wine Is The New Black
Elisabeth Garber-Paul: Waiting for Britney: A Tabloid Writer Comes Clean
Nate Freeman: The Most Powerful Room in New York?
Pamela McClintock: ‘Lilo & Stitch’ Box Office Mayhem
Gage Klipper: The Latest ‘Mission Impossible’ Missed the Vibe Shift
John Tamny: Book Review: Stephen Witt's 'The Thinking Machine'
Julianna Ress: Respect the Craft, Tame the Hunt
Vince Aletti: How American Photography Came Into Its Own
Pedro L. Gonzalez: Will Conservatives Make Great Art Again?
Madison Vain: Bono Has Another Story to Tell
Jason Parham: Welcome to TV’s MAGA Era
John D. Sailer: The Missing Link in Higher Ed Reform
Ben Schwartz: The Daily Wire’s Doomed Quest for Pop-Culture Relevance
Sarah Moss: There Is No Contemporary Fiction
Garrick Davis: The NEA Deserves This
November 15, 2022Hotels are no longer what they used to be. Some, like the Carlyle in New York or Claridge’s, in London, hold on to the Old World with slippery fingers. The Plaza’s only...
