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Win McCormack: The Master of Guise
Nic Rowan: The A.I. Mind Meld
Rhian Sasseen: The Time of Return
Bill Coberly: If Nabokov Went to Comicon…
Meaghan Garvey: Country, Southern Rap & Sunburn
Mark Granza: War of Angels
A. Jay Adler: The Performance of Life
John Semley: Welcome to Casino Capitalism 2.0
Noam Blum: School’s Out Forever
Autumn Widdoes: An MFA Nightmare
Sally J. Scholz: Learning to Be Social
Mark Dery: Is a River Alive?
Owen Lewis: Carlos Alcaraz Keeps Smiling At Jannik Sinner’s Expense
Hamilton Cain: A Timely Reckoning
Mark Judge: Art, Religion, and Culture in the ’80s
Will Morrisey: Becoming a Deficit Nation
David Deavel: All the Words Fit to Print
James B. Meigs: What Were We Thinking?
Michael Pina: How the Thunder Became More Than Just Noise
Adam Morgan: We Don’t Have Any Reserves
Christopher J. Scalia: Conservatives—& Everyone Else—Should Read Novels
Jeff Weiss: The Night Britney Premiered “Toxic” In Vegas
Lovia Gyarkye: Performance Art
December 16, 2020Everything went exactly to plan. Late on the evening of 29 January 2017, Daniel David and Victor Opariuc parked up and made their way towards the Frontier Forwarding...
