Adam Elder: Is Baseball Without Umpires Still Even Baseball?
Joe Nocera: Fight Club: Does Baseball Suck?
George Monaghan: Down With the “Positive Male Role Model”
Sam Kahn: Why I’m Boycotting AI
Emina Melonic: The Land of Fear and Awe
William Lambert: The Town Where Journeys End
Henry Oliver: Evelyn Waugh’s Decadent Redemption
Oliver Bateman: Studio Ghibli AI Memes Expose Deeper Artistic Crisis
Mary Kate Rogers: Innies and Outies
Grace Byron: Feminism Against Itself
Jeremy Beer: In Praise of Communitarian not Corporate Baseball
Ross Barkan: In Defense of Cultural Elites
Multiple authors: The Best American Poetry of the 21st Century (So Far)
Jared Diamond: Baseball’s Wealth Gap Has Become a Chasm
Madeleine Wulfahrt: Becoming Nearer to Oneself
Thérèse Boudreaux: The Scope of Biden Admin Censorship Efforts
Nicholas Phillips: No Pain, No Gain
Barry Brownstein: David Hume’s Stark Warning
Hannah Goldfield: The Quintessentially American Story of Indian Pizza
Valerie Stivers: The Girlfriend Experience
Hannah Keyser: Paul Skenes Is Ready to Be MLB’s League Leader
Justin Chang: “Snow White” Remake Whistles But Doesn’t Work
Ross Barkan: Why ‘Abundance’ Isn’t Enough
Madeleine Kearns: ‘Adolescence’ Does a Disservice to Young Men
November 13, 2024Genres are the Sirens of literary criticism. They seem friendly and alluring, but they are dangerously elusive shape-shifters. You really have to lash yourself to the mast.
