Kerry Soropoulos: Tech Founders Bet on New York
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Mary Townsend: The Jester's Power
Kara Kennedy: The Strategic Ascent of Kai Trump
Morgan Leigh Davies: Julie Keeps Quiet
Ross Barkan: The Social Stock Market
Seth Mandel: The Anti-Semites in the Conservative Manosphere
Daniella Nichinson: A World Beyond Words
Cathy Young: The Blogger Who Hates America
Nic Rowan: Fight for Old D.C.
Ella Creamer: Do We Really Need More Male Novelists?
Larissa Phillips: A Fifth of American Adults Can’t Read
Ezra Marcus: The Real School of Rock
Mary Harrington: The Female Gaze
Kristin de Montfort: The Word Is Not Enough
Nick Schager: Natasha Lyonne Is More Entertaining Than Ever
Zoe Dubno: The Fiction of Shulamith Firestone
Gage Klipper: ‘American Psycho’ Still Fails to Feminize
Graham Maassen: Appetite Studies: Self-Devourer
Molly Young: My Miserable Week in the ‘Happiest Country on Earth’
Brian Smith: Dissident Blessings in the Negative World
Jelani Cobb: Ryan Coogler’s Road to “Sinners”
Alan Siegel: King of Fools: The Oral History of Danny McBride
Adam Kosan: The Last Colossus
February 16, 2020A con man is only as good as his charm. Frank William Abagnale, reincarnated by Leonardo DiCaprio in “Catch Me if You Can,” inhabited half a dozen identities by the time...
