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Magdalene J. Taylor: Reject the Digital Dating Panopticon
B.D. McClay: The Soul Should Not Be Handled
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Kathryn VanArendonk: John Mulaney’s Playhouse
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Mike Solana: Slop World
Jorge Cotte: The Workplace Nightmares of 'Severance'
Jon Bishop: To Save Our Cities, Let’s Go to the Movies
Doug Glanville: A Look at Spring Training’s Tradition
Paul Seaton: Foucault’s “Discipline and Punish" at 50
Joanna Williams: Now They’re ‘Decolonising’ Shakespeare
Emma Duncan: Breaking Up with Facebook
Auguste Meyrat: Tate Who?
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Bennett Tucker: Kafka in Jerusalem
Mark Judge: America’s Elites Have Forgotten What a Working Week Is
Chilton Williamson Jr.: Flannery at 100—and Forever
Malcolm Harris: What’s the Matter with Abundance?
Blake Smith: The Paradox of Free Thinkers
Hollis Robbins: How Business Metrics Broke the University
February 12, 2025Mike White’s first job as a television writer, in the late nineties, was on the teen soap opera “Dawson’s Creek.”
