Julianna Ress: Respect the Craft, Tame the Hunt
Vince Aletti: How American Photography Came Into Its Own
Pedro L. Gonzalez: Will Conservatives Make Great Art Again?
Madison Vain: Bono Has Another Story to Tell
Jason Parham: Welcome to TV’s MAGA Era
John D. Sailer: The Missing Link in Higher Ed Reform
Ben Schwartz: The Daily Wire’s Doomed Quest for Pop-Culture Relevance
Sarah Moss: There Is No Contemporary Fiction
Garrick Davis: The NEA Deserves This
Kiese Laymon: Did the Pandemic Ever End?
Sam Hockley-Smith: A Rare Breed of Listener
Jacob Howland: Peter Thiel’s Visions of Apocalypse
Aaron M. Renn: The Data Center Dilemma
Mark G. Brennan: How Wealth Co-opted Conservative Politics
Julian Adorney: The Battle for the Marketplace of Ideas
Seerat Sohi: 11 Observations on the WNBA Season’s First 11 Days
Joshua Rothman: Two Paths for A.I.
Farahn Morgan: Scenes from the Golden State: Highway Signs
Karl Ove Knausgaard: The Reenchanted World
Maggie Phillips: The Spiritual Heart of 'Sinners'
Sheila Heti: The Spirit in the Blue Light
Daniel N. Gullotta: Faith Makes a Quiet Comeback
Martin Dolan: On Elisa Albert’s “The Snarling Girl”
Santiago Ramos: What Will We Do With All That Free Time?
October 6, 2022Louisville, KY. Wendell Berry is 88, and age has not blurred the beauty of his prose or diminished his ability to take enormous pains on a topic on which he wants to speak...
