Graydon Carter: I’d Had Jobs Before, but None Like This
George Raveling: He Helped Michael Jordan Win
Deborah Levy: The Beatles’ Brilliant Friendship
Sohale Mortazavi: Can ‘Abundance Liberalism’ Save the Dems?
Magdalene J. Taylor: Reject the Digital Dating Panopticon
B.D. McClay: The Soul Should Not Be Handled
Mitch Therieau: Hype Train Coming
Kathryn VanArendonk: John Mulaney’s Playhouse
Gemma Mason: Ross Douthat's Sandbox Universe
Mike Solana: Slop World
Jorge Cotte: The Workplace Nightmares of 'Severance'
Jon Bishop: To Save Our Cities, Let’s Go to the Movies
Doug Glanville: A Look at Spring Training’s Tradition
Paul Seaton: Foucault’s “Discipline and Punish" at 50
Joanna Williams: Now They’re ‘Decolonising’ Shakespeare
Emma Duncan: Breaking Up with Facebook
Auguste Meyrat: Tate Who?
Chris Jesu Lee: On Literary Readings
Bennett Tucker: Kafka in Jerusalem
Mark Judge: America’s Elites Have Forgotten What a Working Week Is
Chilton Williamson Jr.: Flannery at 100—and Forever
Malcolm Harris: What’s the Matter with Abundance?
Blake Smith: The Paradox of Free Thinkers
Hollis Robbins: How Business Metrics Broke the University
February 27, 2025Rewind to 2012: Glee was one of the most-talked-about shows in America, and scarves were being manipulated in infinite ways. That’s the environment into which Smash debuted on...
