Seerat Sohi: 11 Observations on the WNBA Season’s First 11 Days
Joshua Rothman: Two Paths for A.I.
Farahn Morgan: Scenes from the Golden State: Highway Signs
Karl Ove Knausgaard: The Reenchanted World
Maggie Phillips: The Spiritual Heart of 'Sinners'
Sheila Heti: The Spirit in the Blue Light
Daniel N. Gullotta: Faith Makes a Quiet Comeback
Martin Dolan: On Elisa Albert’s “The Snarling Girl”
Santiago Ramos: What Will We Do With All That Free Time?
Lincoln Michel: Of Course Gatekeeping Serves A Vital Role
Petra Browne: Humping Iron
Piers Gelly: Rightful Trespass
Emmett Rensin: The Ambivalence of the Asylum
Emily Temple: 22 Novels You Need to Read This Summer
James Peyser: Assembly Required
Chloe Fineman: Lindsay Lohan Is So Back
Kieran Press-Reynolds: Adam Friedland Could Be the Millennial Jon Stewart
Joel Kotkin: Locked Out of the Dream
Manousha Dhiwaghar: Before We Govern, We Kneel
Kevin Gallagher: The Politics of Papal Naming
Michael Schulman: Patti LuPone Is Done with Broadway
Nick Remsen: Tommy Paul Is Helping Lead American Tennis Back to Glory
Alex Perez: The Rage of the Literary Man
John Mac Ghlionn: The Fall of Jordan Peterson
February 10, 2025On paper, Pittsburgh Trauma Medical Center’s emergency room—the setting of the new Max drama “The Pitt”—is the kind of place you wouldn’t wish on...
