Paul Franz: The Fated Family
Kathleen Stock: The White Lotus Is a Houellebecq Horror
Finn McRedmond: The Unbearable Weight of the Literary Canon
Ana Kasparian: LA Is Getting Scorched by Its Homeless Problem
Blake Smith: The Ugly and Beautiful Gods
David S. Wallace: The Ecstatic Intimacies of Joe Brainard
Daniel J. Mahoney: 'Progressive Democracy' & the Totalitarian Temptation
Adam Clark Estes: The Surprising Thing I Learned from Quitting Spotify
Lily Scherlis: Going Soft
Jessica Laser: Is Robert Frost Even a Good Poet?
Yascha Mounk: The World Happiness Report Is a Sham
Michael Joseph Gross: Mr. Olympia
Jordan Ritter Conn: John Calipari and the Razor-Thin Margins of Legacy
Bill Kauffman: Play (and Watch) Ball!
Kristen Martin: White-Collar Criminals Plundered a Brooklyn Neighborhood
John Tamny: Barry Ritholtz's Excellent 'How Not to Invest'
Haley Strack: Whose Idea of America?
Jason Hausenloy: Will AI Automate Away Your Job?
Graydon Carter: I’d Had Jobs Before, but None Like This
George Raveling: He Helped Michael Jordan Win
Deborah Levy: The Beatles’ Brilliant Friendship
Sohale Mortazavi: Can ‘Abundance Liberalism’ Save the Dems?
Magdalene J. Taylor: Reject the Digital Dating Panopticon
B.D. McClay: The Soul Should Not Be Handled
March 17, 2025For almost fifteen minutes, we sit looking at a vertical screen on a seemingly empty stage. In the projection, the Australian actress Sarah Snook, in tight closeup, speaks the rapid,...
