Peter C. Baker: Is the Great American Novel On Substack?
Alex Weprin: Creators Are Building Their Own Studio System
Jacob Phillips: The Decline of the Great Literary Name
Neeraja Deshpande: Woke Universities Could Lose Talent to Red States
Multiple authors: Criticism and Free Expression in the University
Eleanor Stern: Orgasming Without Pornography
Alessandra Bocchi: Say No to the Grind
Keturah Hickman: I Found Freedom in Bland
Dan Hitchens: Pope Leo’s Challenge
Naomi Kanakia: Women's Fiction Still Gets Ignored
Gideon Leek: On 'The Harmattan Winds'
Henry Oliver: What to Do About the Decline of the Humanities
Aaron Lake Smith: Read Maxim Gorky
Stephen G. Adubato: A Book Catholic Evangelizers Need to Read
Jarrod Sturnieks: The Age When Nothing Fits
Mike Edleson: Andy Puzder's 'A Tyranny for the Good of Its Victims'
Eileen Jones: Florence Pugh’s Thunderbolts* Shocks Marvel Back to Life
Sam Kahn: The Pulitzer Prizes Are An Embarrassment
Ethan Strauss: If You Write For Real, Chat GPT Cannot Replace You
Mary Eberstadt: Ross Douthat and the New Theism
Graham McAleer: Cicero's Law
Anthony Lane: The Battling Memoirs of The New Yorker
Matthew Walther: The American Pope
Nicholas Harris: Edward St Aubyn’s Comedy of Horrors
March 28, 2022We tend to think of John Keats as, in Lucasta Miller’s provocative phrase, “the most romantic of the Romantic poets.” He’s the pure soul—so the legend...
