Matthew Gasda: The Sleepers
Howard Beck: For Some Coaches, the NBA Isn’t a Passion—It’s an Addiction
Ashley Frawley: How Society Got a Sex Change
Henry Begler: Show Biz Kids
Multiple authors: Can Criticism Survive Inside the University?
Suzy Weiss: I Don’t Need Ozempic. But I Want It.
Bridget Phetasy: Am I Too Online?
Ella Fox-Martens: The Perks of Being a University Dropout
Connor Grubaugh: Prehistory’s Original Sin
Sam Franzini: Author Spotlight: Matthew Gasda, ‘The Sleepers’
Kelefa Sanneh: The Spectacle of a Boxing Match in Times Square
Adam Kissel: Ivy League Miseducation
Robert Bellafiore: Alex Karp’s Technopolitik
John Tamny: Graydon Carter's 'When the Going Was Good'
Staff: Books of the Month
Benjamin Davis: The Rise of the Submission Industrial Complex
Eric Ducker: Lewis Pullman Steps Out of the Shadows
Ted Gioia: Are We Living in a Time of Cultural Collapse?
Kate Epstein: We, Robots
Daisy Jones: What If Gen Xers Are Actually the Cool Ones?
Adam Ellwanger: The Profanity Trend Is Tired and Played Out
Lena Dunham: Why I Broke Up with New York
Joshua Mitchell: Red Pill, Blue Pill
Teddy Brown: What if AI Just Makes Everyone Really Boring?
April 11, 2022BERLIN — Few composers inspire such a mix of appreciation and disgust as Richard Wagner. Especially here in Germany — where Wagner’s work is understood as a...
