Peter C. Baker: Is the Great American Novel On Substack?
Alex Weprin: Creators Are Building Their Own Studio System
Jacob Phillips: The Decline of the Great Literary Name
Neeraja Deshpande: Woke Universities Could Lose Talent to Red States
Multiple authors: Criticism and Free Expression in the University
Eleanor Stern: Orgasming Without Pornography
Alessandra Bocchi: Say No to the Grind
Keturah Hickman: I Found Freedom in Bland
Dan Hitchens: Pope Leo’s Challenge
Naomi Kanakia: Women's Fiction Still Gets Ignored
Gideon Leek: On 'The Harmattan Winds'
Henry Oliver: What to Do About the Decline of the Humanities
Aaron Lake Smith: Read Maxim Gorky
Stephen G. Adubato: A Book Catholic Evangelizers Need to Read
Jarrod Sturnieks: The Age When Nothing Fits
Mike Edleson: Andy Puzder's 'A Tyranny for the Good of Its Victims'
Eileen Jones: Florence Pugh’s Thunderbolts* Shocks Marvel Back to Life
Sam Kahn: The Pulitzer Prizes Are An Embarrassment
Ethan Strauss: If You Write For Real, Chat GPT Cannot Replace You
Mary Eberstadt: Ross Douthat and the New Theism
Graham McAleer: Cicero's Law
Anthony Lane: The Battling Memoirs of The New Yorker
Matthew Walther: The American Pope
Nicholas Harris: Edward St Aubyn’s Comedy of Horrors
July 25, 2022Near the beginning of “Nope,” Emerald (Keke Palmer), who with her brother, Otis Jr. (Daniel Kaluuya), runs an animal-wrangling service for Hollywood shoots,...
