Richard Brody: Wes Anderson’s Most Emotional Film
Matt Feeney: Tom Cruise’s Scientologist Soul
Dave Barry: Mission: Highly Improbable
Drew Holden: The Media’s Original Sin
Ross Barkan: Trump’s Attack on Harvard Marks New Phase in Culture War
Anna Juul: LinkedIn Is So Embarrassing
Robert Barry: Erik Satie, the People’s Composer
Drew Calvert: Missed Connection
Dana Stevens: Wes Anderson’s New Movie May Be His Worst Yet
Steven Phillips-Horst: White Wine Is The New Black
Elisabeth Garber-Paul: Waiting for Britney: A Tabloid Writer Comes Clean
Nate Freeman: The Most Powerful Room in New York?
Pamela McClintock: ‘Lilo & Stitch’ Box Office Mayhem
Gage Klipper: The Latest ‘Mission Impossible’ Missed the Vibe Shift
John Tamny: Book Review: Stephen Witt's 'The Thinking Machine'
Julianna Ress: Respect the Craft, Tame the Hunt
Vince Aletti: How American Photography Came Into Its Own
Pedro L. Gonzalez: Will Conservatives Make Great Art Again?
Madison Vain: Bono Has Another Story to Tell
Jason Parham: Welcome to TV’s MAGA Era
John D. Sailer: The Missing Link in Higher Ed Reform
Ben Schwartz: The Daily Wire’s Doomed Quest for Pop-Culture Relevance
Sarah Moss: There Is No Contemporary Fiction
Garrick Davis: The NEA Deserves This
October 26, 2022My biggest concern, as the reopening of David Geffen Hall at Lincoln Center approached, was that its much-touted, $550 million reconfiguration would be mainly cosmetic. After all,...
