Paul Franz: The Fated Family
Kathleen Stock: The White Lotus Is a Houellebecq Horror
Finn McRedmond: The Unbearable Weight of the Literary Canon
Ana Kasparian: LA Is Getting Scorched by Its Homeless Problem
Blake Smith: The Ugly and Beautiful Gods
David S. Wallace: The Ecstatic Intimacies of Joe Brainard
Daniel J. Mahoney: 'Progressive Democracy' & the Totalitarian Temptation
Adam Clark Estes: The Surprising Thing I Learned from Quitting Spotify
Lily Scherlis: Going Soft
Jessica Laser: Is Robert Frost Even a Good Poet?
Yascha Mounk: The World Happiness Report Is a Sham
Michael Joseph Gross: Mr. Olympia
Jordan Ritter Conn: John Calipari and the Razor-Thin Margins of Legacy
Bill Kauffman: Play (and Watch) Ball!
Kristen Martin: White-Collar Criminals Plundered a Brooklyn Neighborhood
John Tamny: Barry Ritholtz's Excellent 'How Not to Invest'
Haley Strack: Whose Idea of America?
Jason Hausenloy: Will AI Automate Away Your Job?
Graydon Carter: I’d Had Jobs Before, but None Like This
George Raveling: He Helped Michael Jordan Win
Deborah Levy: The Beatles’ Brilliant Friendship
Sohale Mortazavi: Can ‘Abundance Liberalism’ Save the Dems?
Magdalene J. Taylor: Reject the Digital Dating Panopticon
B.D. McClay: The Soul Should Not Be Handled
January 16, 2024A stigma still looms over men weeping on screen. Tears are associated with weakness, crying something “little girls” do, vulnerability only hinted at rather than...
