Alex Soros lives in the duplex penthouse of a building in downtown Manhattan. The elevator opens onto the apartment, where a framed photograph of Alex and his fiancée, Huma Abedin, sits on a small table by the entrance. Apart from its artwork I am asked not to identify for security reasons, his home is sleek and uncluttered and has south-facing floor-to-ceiling windows and an exposed spiral staircase leading to the upper level. An atriumlike living room is appointed with white leather sofas Abedin dislikes, and is in the process of replacing, and a glass coffee table, on which rests a recent compendium on sculpture co-edited by Alex’s mother, Susan Weber, a historian of the decorative arts.
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