Does Philip Kennicott know what year it is? The Washington Post arts critic just published an essay that seems to have arrived in a time portal from 1986.
“In Grim Times, Art Finds a Way” is a pious, flowery, and tiresome essay about how “the arts community” can respond to the darkness of the second Trump era. Yes, it’s tempting to roast the quivering imbecility of the piece, but besides its despondent tone the piece is striking for its anachronistic quality. Art, just like the media, is nowhere what it was several decades ago. Protest and political art are not just irrelevant, they’re scorned. These types of “art” are even, as is argued in the new issue of Harper’s magazine, bad for art itself.
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