Miley Cyrus is sitting in front of the stone-walled fireplace in her house in Los Angeles, holding up two coffee-table books. One is 2017’s Doll Parts by Amanda Lepore, the transgender, transgressive, glamour-all-the-time nightlife icon. The other is Fashion First, Diane Keaton’s photo book dedicated to her quirky borrowed-from-the-boys personal style. Cyrus is wearing a simple black sweater and minimal makeup, her hair slicked back into a braided ponytail, and she’s shaking both books with equal urgency. “This,” she says emphatically, “is my vibe.”
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