Make Horror Films Scary Again

Friday night, I wasted the evening on MaXXXine, the final installment of Ti West’s slasher horror trilogy. It was bad enough that I whispered, “Oh brother, not this,” to my husband. Bad enough that nobody in the movie theater even shushed me, even after the fourth time I did it. 

Set in Hollywood in the 1980s, at the height of the Satanic Panic, MaXXXine’s elevator pitch is this: What if the Satanists were real, and led by a televangelist? Its point: the scariest thing about the 1980s was the rise of the Moral Majority. The film demonizes the Christian right in the most extreme and ham-fisted way.

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