Benjamen Walker, the creator and host of “Benjamen Walker’s Theory of Everything,” is a pod-maker of the mad-scientist variety: he cooks up projects using his own zeal, research, and audacious notions, then unleashes the results on the world. “Theory of Everything,” which originated in 2004, a decade before the podcast boom, has always been intellectually rigorous, funny, and whimsical, with a format that David Carr, the late Times media reporter, once described as “What are we talking about this week? Who knows! Off we go! 1984! The year, not the book.” Recently, Walker released his magnum opus, a nine-episode miniseries called “Not All Propaganda Is Art,” which he started reporting while hunkered down on a French island in the early days of the pandemic. It bears the marks of the feverish isolation of that time, conjuring a mid-century transatlantic world of left-wing intellectuals, the cultural Cold War, the C.I.A., mass culture, high culture, post-colonialism, and a whiff of conspiracy. Fittingly, it begins with “1984”—the book, not the year.
Read Full Article »
