If you want to become a dystopian feminist warrior, you’re not going to get much sleep. That was one of the first things Anya Taylor-Joy learned on the set of George Miller’s “Mad Max: Fury Road” prequel “Furiosa.” Under heavy coats of makeup, shooting in the Australian winter when daylight was scarce, Taylor-Joy wished she could have stayed in bed at least through the crack of dawn. Instead, she’d rise up in the middle of the night, ready to do battle.
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