DAVID ROONEY: We’re nearing the middle of one of the most contentious election years in America’s history, with bitter divisions making a mockery of the increasingly obsolete appellation, “United States.” People are ANXIOUS as they weigh a presidential vote destined to fuel the rage of one side or the other, potentially inciting violence.
That climate would seem to make this the ideal time for Alex Garland’s Civil War, which set a house record for A24 with its $25.7 million opening weekend and held strong at No. 1 in its second weekend. You can’t argue with those numbers. But what’s more interesting is the debate the film has ignited as to whether its fuzzy politics are a cop-out.
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