Alex Garland’s Civil War is not just a story told from the point of view of journalists, which would be taxing enough. It’s a movie about journalism, which is a hilariously narrow and tedious preoccupation for a movie that’s nominally concerned with present-day civil conflict.
But it’s ironically very fitting: reporters spent four years playacting as valiant rebel war correspondents in Trump-occupied America. They’re bracing for the possibility of another term. Civil War takes their histrionic mythos about themselves and portrays it as literal reality.
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