In early 2021, Megan Ellison emerged from a self-imposed Hollywood exile and did something she hadn’t done in over a year: She signed on to back a movie, Nimona. There was a time when this would not have been remarkable, when Ellison’s Annapurna Pictures was producing five films a year and she was considered the industry’s own Medici, the premier patron of prestige cinema. But Ellison had backed away from Hollywood in 2019 after a series of missteps and become elusive even to some of her own executives. When her former distribution chief, Erik Lomis, asked her whether she wanted to look at some reels of Nimona, which was about to get axed in Disney’s closure of Blue Sky Animation, “I wasn’t really engaging in new film projects at the time,” Ellison said, answering THR’s questions by email. “But being curious, I said yes.”
Read Full Article »
