What if I told you there was an exquisitely filmed and brilliantly acted new movie about the construction of one of history’s great landmarks, a building that enriched one of the world’s most vibrant cities and carried to the modern age the best of ancient traditions, uplifting all who passed through it?
Now what if I told you the film was about New York’s Pennsylvania Station? This was the grand Beaux Arts masterpiece wantonly torn down in the ’60s, and replaced with a dismal warren—an act which prompted architect and scholar Vincent Scully to say, “One entered the city like a god; one scuttles in now like a rat.”
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