Portrait of the Artist as an Office Drone

In the opening pages of “Private Equity,” a memoir about working in high finance in the early twenty-tens, the author, Carrie Sun, is asked in a job interview why she wants to be a personal assistant to the founder of an investment firm. Sun, who at the time is twenty-nine years old, has been recruited by a headhunter through LinkedIn, where her profile displays a dual degree in math and finance from M.I.T., completed in just three years; steady career advancement at Fidelity Investments; and a partially completed M.B.A. at the Wharton School of Business. “With your background, you could be a fund manager yourself or, at the very least, make so much more money,” she recalls her interviewer saying. “Why wouldn’t you?” The reader has already been told the answer, a few pages prior: Sun dropped out of the M.B.A. program three years ago, hoping to change course. 

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