‘A Murder at the End of the World’ Review

BRIT MARLING AND ZAL BATMANGLIJ bring to film and television an audacious creativity thought left for dead in concept albums and a high idealism long-buried in back issues of Adbusters. Their stories tell of alternate dimensions, duplicate earths, and time-traveling gurus. Their heroes are investigative freelancers, dumpster-diving activists, and gifted loners in need of redemption. Their sweeping vision acclimates to multiple genres without violating their strictures. It requires prestige-level resources and tends to get them. It assumes an audience of equal intelligence and, as a result, commands a small but intense following, to such an extent that the cancellation of their Netflix series The OA was taken like a personal loss.

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