Some three millennia ago, a blind bard whose name in ancient Greek means “hostage” is said to have composed two masterpieces of oral poetry that still speak to us. The Iliad’s subject is death, and the Odyssey’s is survival. Both plumb the male psyche and women’s enthrallment to its bravado. “Tell the old story for our modern times,” Homer entreats his muse, in the Odyssey’s first stanza. The translator Emily Wilson took him at his word. Her radically plainspoken Odyssey, the first in English by a woman, was published six years ago. Her Iliad will be published in two weeks.
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