Adream prospect. Rainer Werner Fassbinder, the short-lived, self-destructive wunderkind who made movies about love as masochism, pain as an inevitable condition and history as a dire weight upon his native Germany, has long been in need of an equally forthright celebration. And who better to provide it than one-time NME star, cultural contrarian and film nut Ian Penman, in his first original book since his great comeback suite of music essays, It Gets Me Home, This Curving Track, in 2019? Well, hold your horses.
