Ian McEwan’s Anti-Memoir

an mcewan, slumped on a comfortable couch in the large formal sitting room of his Cotswolds manor house, dazzling early-summer sun filtering through the tall, narrow windows, tells me he has been suffering from a protracted bout of pessimism. “I got totally obsessed with Russia invading Ukraine,” he says, an unfamiliar note of pain in his voice. “From February onwards, it filled my thoughts. Massacres in small villages northeast of Kyiv, like curling black-and-white photographs. Suddenly it’s here again—unbelievable, merciless brutality; old ladies shot in their kitchens.” He rubs his eyes (hay fever). A barbaric assault on European complacency, the invasion has reminded him how close we are, all of us, to annihilation.

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