When Laura Linney starred in a 2002 Broadway revival of The Crucible, her favorite part was Act Three, when her character, Elizabeth Proctor, doesn’t appear onstage. “I would be underneath the floorboards of the theater, just listening,” she says. “You could hear the orchestration of the voices. Liam Neeson tromping around. Then you realize just what a fucking genius Arthur Miller was. When you’re in the work like that, it just envelops you and moves through your body.”
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