So I sat down to write the Great American Novel. And like with all improbable tasks, it’s helpful to map out potential issues to spare yourself from a career-ending catastrophe (and to provide excuses to wax poetic to your friends when you ultimately leave a manuscript incomplete).
First, it’s helpful to take a cursory survey of the current literary landscape: writing about my time in China, Thailand, or Taiwan will launch the entire Berkeley creative writing class into chants of ‘exoticism’ and cause a Slate writer to prematurely return from a gulag LARPing weekend to pen a 1,200-word thinkpiece on literature as colonialism.
Read Full Article »
