I loved Rod Serling’s “The Twilight Zone” when I was a teenager in the 1960s.
One episode I recall was “The New Exhibit,” in which Martin Balsam portrayed the curator of “Murderer’s Row” in a wax museum who later goes mad. The TV program opened with the curator speaking to a group of visitors about the wax figures of infamous killers, such as Jack the Ripper. The first murderer the curator introduced was an infamous sailor who murdered his fellow crew members in 1860. The ferocious, life-like, ax-wielding wax figure glared angrily at the museum visitors.
And that was my introduction to Albert Hicks, the subject of Rich Cohen’s book, “The Last Pirate of New York: A Ghost Ship, a Killer, and the Birth of a Gangster Nation.”
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