Even fans of Mark Danielewski and his typographically adventurous novels House of Leaves and Only Revolutions should be disappointed with The Fifty Year Sword. Previously published only in the Netherlands in 2005, this novella adds almost nothing to a consideration of the aesthetic possibilities of manipulating the physical features of a printed book not already present in the two novels, and if anything the underlying narrative to which these manipulations are meant to contribute is even less compelling than those we encounter in House of Leaves and Only Revolutions. If the former manages to bring some life to what is finally an overly familiar narrative (perhaps two interlocking but overly familiar narratives) through its challenges to the protocols of the printed page, and the latter partially substitutes, at least for a while, the sheer audacity of its defiance of these protocols for an even more lackluster narrative, The Fifty Year Sword does neither of these things. Its textual provocations are tepid, mere flourishes, its story, such as it is, little more than a convenience and difficult to take seriously.
