It is easy, especially if one is not American, to feel ambivalent about the fictions of John Updike. The immaculate clarity of his prose style, the precision of his vocabulary, the tenderness underlying his Wasp comedies of manners, the puckish wit rising above a sorrowful temperament — none of these can be gainsaid. But the ways in which his novels seemed to raise the banality of fornication to some remote altitude of meaning, his efforts to imbue the quandaries of adultery and cuckoldry with transcendent significance, can seem relentless and overdone. Updike at times resembles those fanatical sexologists who gathered around Alfred Kinsey interrogating Americans about the minutiae of their sexual preferences and acts, as if by dour, gritted study of silly squelching they could anticipate (to quote the marriage service in the Book of Common Prayer) ‘the dreadful Day of Judgment when the secrets of all hearts shall be disclosed’.
